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Reviews of The Funnel:

"Passport to an OBSCENELY DYNAMIC, contemplative dimension - The Funnel is a set of ancient imaginations in a stranglehold of electronics and steel factory atmosfears, originally composed for Radiophrenia by Wojciech Rusin and now gloriously pressed and presented by Glasgow based Akashic Records. Equipped with some adapted instruments and occultist readings (decent dose of RATHER GLOOMY Greek-Egyptian philosophy in there too) Rusin composes and engineers an unpredictably celestial moving picture for the ear - the auto-tuned intro ‘Paolo’s Dream’ and the bellowing baritones of ‘Salvation’ diffusing into a solemn soul-purging of post-pythagorean(?) electro-organums. ‘Transmutation’ sounds like a petri dish of duplicating cells, contorted beauty with strings soaring like some sorta solar wind, the internalised ecstasy fading into the ambient clatter and percussion of ‘Cyclops’. The brain really scrambles trying to find points of reference - so we’ll shoot from the hip and go for some ridiculous meeting point between Ksiezyc’s ‘Rabbit Eclipse’ and the more contemporary work of Pierre Bastien. Side B offers further consuming, haunted chamber music - ‘Sacrifice’ sounds like some possessed, hologram’d high priest drowning in a sea of sub-bass and gristly electronics before rounding up this destabilising noggin-scrambler with the near ten minute Open Music enchantment ‘Jupiter’.”
Low Company

..a hugely enjoyable wigout with the weirdest of bedfellows.
THE WIRE

One of our favourite releases in recent memory. Another sturdy slap in the face of relentless re-issue culture.
Mark Harwood, Penultimate Press

Like a Hieronymous Bosch tableaux, the release is earthy and delightful in its embrace of the strong and the strange.
The Sampler

Supernormal performance review at the Quietus:

"Highlight of the day however comes from Wojciech Rusin’s performance of their album The Funnel, presented onstage like ambassadors from a collapsed alien race, an armour worn of cracked phone and tablet protectors. It’s a music of choral bliss and Coil-like electronic alchemy, sampled strings coalesce with the duo’s solos on bizarre hyper-futurist instruments. For all that occurs throughout their set, what we’re left with is a sense of sublime stillness, a stillness beamed outwards into the night.”

Press for sound/music for theatre:

"A soundscape that ticks like a time-bomb."
Exeunt Magazine

"Music and a sound score created and played live by Wojtek Rusin play an important part in director Evie Manning’s production. Heard right through the house, it binds these stories together, creates atmospheres and is a useful way of cueing action."
British Theatre Guide

"Soundscapes complete the multi-sensory depiction of what it’s like to live with the constant fear of violence: menacing electronic washes or pounding repetitive clashes of crockery build up, shredding your nerves."
The Independent

"A magnificent soundscape by Wojtek Rusin, echoing through the house in a dark symphony of bangs, muffled cries and sudden loud music."
The Scotsman