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Reviews of The Funnel:

"Passport to an OBSCENELY DYNAMIC, contemplative dimension
Low Company

..a hugely enjoyable wigout with the weirdest of bedfellows.
The Wire

One of our favourite releases in recent memory. Another sturdy slap in the face of relentless re-issue culture.
Mark Harwood, Penultimate Press

Like a Hieronymous Bosch tableaux, the release is earthy and delightful in its embrace of the strong and the strange.
The Sampler

Supernormal performance review at the Quietus:

"Highlight of the day however comes from Wojciech Rusin’s performance of their album The Funnel, presented onstage like ambassadors from a collapsed alien race, an armour worn of cracked phone and tablet protectors. It’s a music of choral bliss and Coil-like electronic alchemy, sampled strings coalesce with the duo’s solos on bizarre hyper-futurist instruments. For all that occurs throughout their set, what we’re left with is a sense of sublime stillness, a stillness beamed outwards into the night.”

Press for sound/music for theatre:

"A soundscape that ticks like a time-bomb."
Exeunt Magazine

"Music and a sound score created and played live by Wojtek Rusin play an important part in director Evie Manning’s production. Heard right through the house, it binds these stories together, creates atmospheres and is a useful way of cueing action."
British Theatre Guide

"Soundscapes complete the multi-sensory depiction of what it’s like to live with the constant fear of violence: menacing electronic washes or pounding repetitive clashes of crockery build up, shredding your nerves."
The Independent

"A magnificent soundscape by Wojtek Rusin, echoing through the house in a dark symphony of bangs, muffled cries and sudden loud music."
The Scotsman